New Soundboards
Announcing the arrival of the revolutionary A4000 professional samplers with the power not only to make sounds, but to shape them in a way never before dreamed possible. The A4000 have impressive specs for a sampling unit. The A4000 provides 16 Multitimbral Parts and 64 Notes of Polyphony.
If you're in the techno dance scene, it's a must-have. The drum section is fantastic - it's based on the classic Roland TR series and features a lot of other different sounds. The waweforms are made into patches. There's a lot of sampled voices and noises, but it would be better if that place would be filled with other synth sounds.
This is a terrific selection of all the classic sounds of the '60s and '70s, the staples heard in innumerable hits. From the Mellotron to the Rhodes, to the Clavinet, Solina, Hammond B-3, Wurlitzer, these are all the sounds you need if you are into classic rock and pop.
This module is typical of the mid-90's era. It is primarily a techno/dance module, similar to others that at the time other manufacturers were marketing. The sounds on board are very solid, and obviously the targeted clientele for it was dance composers with already a sequencer and effects in their studio.
The Roland L-CDX-03 is a must to make the brassy backbone of your compositions, and it works particularly well for soundtrack/cinematic music. The quality of the samples is incredible, and there are so many different individual samples per patch, that many of the instruments in this collection really sound like the real thing.
The U-110 is Roland's first pure sample-playback module - or ROMpler if you like. The structure of this module is basic, and it focuses solely on providing samples of acoustic/electric instruments used in pop/rock.
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This soundboard contains audio clips from Fireground Activites from area Fire Departments. This is the same audio you would hear on a scanner if you were listening.
This Roland L-CDX-01 selection focuses on the main ingredient of the groove, drums and bass. There are so many drum kit variations that it would be hard for anybody not to find what they're looking for. For the guitar/bass section, there's plenty to choose although not as much as the drums but all the usual suspects are there.
The Midiverb 2 is one of Alesis' most recognisable digital effects with a distinct personality. The Midiverb 2 fills one unit of rack space with memories and tremendous MIDI effects control.
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Roland U-220 is a PCM-playback synthesizer with waveform expandability. It's the upper model of the previous model, U-110. The U-series uses a type of synthesis called RS-PCM - which stands for ReSynthesized Pulse Code Modulation, and it's Roland's 2nd generation sampling technique. It is based on high-quality samples.
The NS5R is equipped with KORG's ai-squared Synthesis System, the engine that drives KORG's professional synthesizers like the award winning 01/W and M1 Music Workstations. Its tone generation section employs high capacity PCM ROM featuring 12 Mbytes of waveform memory. In addition to all the pianos, organs, strings and other instrumental sounds.
Roland L-CDX-04 is very strong, arguably the best in the bunch - in my opinion Roland's string ensemble are second to none - there's a certain warmth and expressiveness in their samples that I particularly like. The solo instruments are also outstanding, ranging from excellent solo violins, to expressive cellos and powerful contrabasses.
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From the first kinetic moments Studio 60 is a fast-paced, well-written series which challenges the viewer to keep up with the action. The characters have full dimension and the portrayals make the viewer care what happens to each character.
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